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    Andy Bumatai and James Mane talk to Daniela Stolfi-Tow from 808 Viral about Social Media and Mental Health

    Legendary Hawai’i stand-up comic Andy Bumatai and co-host James Mane host the podcast “Daily Pidgin” on YouTube with special guest Daniela Stolfi-Tow from 808 Viral. Topics discussed: social media, comedy and how social media affects your mental health. Watch the full episode.

    Andy Bumatai will be performing at Blue Note Hawaii on Wednesday, March 1 alongside Augie T — as part of his “In Denial Tour.”

    “The Daily Pidgin LIVE” Podcast on YouTube at http://YouTube/AndyBumataiShow HST Mon. 1pm HST.

    Join this channel to get access to perks: https://www.youtube.com/channel/UCU1M… Fruitcake on Amazon https://amzn.to/3aBwQCf Unreleased Stand Up Audio: https://daily-pidgin-merch.creator-sp… Donation site: http://AndyBumatai.live/tip Daily Pidgin Merch: http://AndyBumatai.live/merch Daily Pidgin mailing list sign up: https://forms.gle/iBWKgrfQJQaewdyeA No fee Donation PayPal link: https://www.paypal.me/andybumatai Andy Bumatai email: Info@Bumatai.com Patreon Page: http://patreon.com/AndyBumatai

    THE FUTURE OF FOOD AND AGRICULTURE IN HAWAI’I SPEAKER SERIES PRESENTS: Animal Agriculture – By Whom, For Whom, and at What Cost?

    March 9, 2023

    Animal agriculture plays an important and rapidly evolving role in the food system of Hawai’i.

    By Civil Beat, UHWO, Better Tomorrow Series, Waiwai

    This discussion will be dedicated to the recent developments in industrial scale animal agriculture in Hawai’i and the known ecological, social and economic costs and benefits. The conversation will explore best practices in animal agriculture to advance health, equity, resilience and sustainability in the food system of Hawai’i.

    Presented by The Hawaiʻi Institute for Sustainable Community Food Systems at University of Hawaiʻi – West Oʻahu, Honolulu Civil Beat, UH Better Tomorrow Speaker Series, and Waiwai Collective, this series is meant to generate key opportunities for community dialogue among a diverse audience, aiming to achieve a healthy, equitable, resilient and sustainable food system for Hawaiʻi.

    Featured Speakers:

    Chad Buck, Owner/CEO, Hawaii Foodservice Alliance & Big Island Dairy

    Thomas Heaton, Reporter, Honolulu Civil Beat

    Agenda:

    Doors open at 5 p.m. for booths, music and a complimentary pupu. Speakers will start at 6 p.m, followed by an optional post-discussion community forum from 7 – 8 p.m.

    Parking Directions: Ka Waiwai Parking is located on the makai side of the Varsity Building. The entrance to the lot is located off of Coyne Street. Parking is $6.

    ***if you park in any of the lots located on the mauka side of the building you will need to self pay at the self pay station. They will ticket/tow in these lots if you do not pay.

    Sponsors:

    The Future of Food and Agriculture in Hawaii is a joint project of Civil Beat, the Hawai’i Institute for Sustainable Community Food Systems at the University of Hawai’i – West O’ahu, and the UH Better Tomorrow Speaker Series. These events are made possible through generous support from the Kellogg Foundation. BTSS is a joint venture of the Hawaii Community Foundation, Kamehameha Schools, and UH, with support from the College of Tropical Agriculture & Human Resources and the Ulupono Initiative. Civil Beat’s agricultural and food security reporting is funded in part by grants from the Stupski Foundation, Ulupono Fund at the Hawaii Community Foundation and the Frost Family Foundation.

    If you require special assistance or auxiliary aids and/or services (i.e., sign language interpreter or wheelchair accessibility), please contact Civil Beat at 808-737-2300 or email your request for an interpreter to membership@civilbeat.org at least 4 business days prior to the event.

    By registering for this event, you’ll receive a subscription to our free e-newsletters. And don’t worry, you can unsubscribe any time by clicking the link at the bottom of each email.

    Creative Districts 

    One of the more intriguing ideas to cross my desk recently is in Senate Bill 822.  

    It proposes to have certain sections of our state designated as “creative districts.”  The idea would be to gather artists, such as painters, photographers, and musicians; and cultural organizations, perhaps hula halau or ukulele schools, together in the area. 

    The process, including designating the districts and certifying eligible “creative enterprises,” would be done or managed by the State Foundation on Culture and the Arts.  It appears to be patterned after a reportedly successful program undertaken by the State of Washington, which describes creative districts this way:

    A Creative District is a fun place to live, work, and visit. It’s geographically defined area of cultural and economic activity. It’s the heart of a community. It is a place for people to gather and enjoy their community’s arts and culture.

    A district is a place where innovation and creativity can thrive. A place that helps the community move enthusiastically into the future.

    In the Senate bill, creative enterprises in a creative district would be eligible for tax credits.  The bill, however, is a little light on details.  It says that the credit for the first year would be __% of the income tax liability applicable to gross income from business activity within the district, in the second year it would be __%, and it continues until the fifth year, when the credit would be __%.  Both the bill as introduced, and the Senate Draft 1 from the Senate Transportation and Culture and the Arts Committee, exhibit the same percentages (or lack thereof).  They don’t even tell us if the percentages are supposed to be increasing or decreasing from one year to the next.

    The bill also says that counties “may” enact incentives for creative districts, such as real property tax exemptions and expedited permit processing.  Such language always makes me cringe.  The real property tax is the counties’ kuleana, so they can enact exemptions or incentives if they want to whether or not the State says they “can.”  In fact, there’s a court case saying that even if the State says the county “must” provide an exemption, the county doesn’t have to.  Counties have rights too!

    Anyway, back to SB 822.  This proposal has some resemblance to our existing Enterprise Zone program, which seems to have a more focused objective and incentives.  An Enterprise Zone is designated when it is an area of historically low employment.  Businesses joining the program commit to operating in the area and hiring people there.  Incentives, which include income tax credits, general excise tax exemptions, and unemployment tax breaks, are lost if the business fails to maintain its promised goals.  The incentives start off substantial, taper off over time, and go away after a while, seven years for most businesses.

    What kind of tax incentives might be appropriate for a creative enterprise?  Given the stories about starving artists (many of which are based in fact, I understand), income tax credits might not be the best idea.  You need to have a net profit to owe income tax, and many creative enterprises run on thin margins.  Maybe a GET exemption would be a better choice because that tax needs to be paid when a business has any income at all, whether or not it is enough to pay necessary expenses.  A credit against unemployment tax might also be appropriate because the goal of the program is to have creative enterprises, and of course the people who make them work, physically located in the districts.  

    As of this writing, the bill is still alive and kicking in the Senate.  Will it get to the finish line?  Maybe some lawmakers have a creative strategy in mind for it!

    Honolulu Teen Wins Scholarship at
    International Music Competition


    The prestigious Philadelphia International Music Festival awarded over $20,000 in scholarships and performance opportunities to ten young musicians who took the top spots in PIMF’s semi-annual Online Concerto Competition.

    Honolulu 10th-grader Yxing Guo won a partial scholarship to PIMF’s intensive classical music training program this summer after taking Third Place in her division. The 15-year-old violinist is homeschooled, and has been studying violin since the age of 3.

    She is Second Violin in the Hawaii Youth Symphony.

    Yxing competed with Dvorak’s Violin Concerto in A minor, First Movement. “I have always liked this concerto since the first time I listened to it as a little girl,” she explained. “It’s very emotional and full of energy at the same time.”

    Yxing also plays piano, and already has plans to continue her musical journey through college as a double major.

    Musicians in three age groups from 6 to 19 years of age submitted videos for PIMF’s competition.

    “It was quite literally an outpouring of talent to our Winter 2022 Virtual Concerto Competition from all over the world!” says PIMF President Sandy Marcucci, “Some 200 young musicians offered us their video performances, and the skill and artistic levels were simply dazzling.”

    Adjudicator Marc Rovetti, Assistant Concertmaster of The Philadelphia Orchestra, agrees.

    “Choosing the winners was not an easy task, and that’s a great thing!” he said. “I was so pleased by how seriously everyone took this competition and enjoyed listening to young musicians at such a high level.”

    Other adjudicators include John Koen, Cello, The Philadelphia Orchestra; and Yu Xi Wang, Director of Keyboard Studies at Curtis Institute of Music.

    The Spring Virtual Concerto Competition is accepting entries through April 30, 2023 and is part of a host of online programs by PIMF, which will be offering both LIVE and virtual training programs and summer camps beginning in June.

    ABOUT The Philadelphia International Music Festival:
    The Philadelphia International Music Festival (PIMF) is a resident summer music program directed by Kimberly Fisher, Principal Second Violin of The Philadelphia Orchestra, offering student musicians from around the world the unique opportunity of spending up to four weeks immersed in music education and performance training with members of the world-renowned Philadelphia Orchestra.

    For more information on PIMF, visit philadelphiamusicfestival.org, call (856) 875-6816, “like” the Philadelphia International Music Camp & Festival on Facebook, follow @pimfmusiccamp on Instagram and Twitter, and visit the Philadelphia International Music Festival YouTube Channel for performance videos from previous festival seasons.

    PILOT for Real Property Tax

    In late 2021, the City & County of Honolulu’s Real Property Assessment Division inspectors took a look at several parcels of land on which solar farms and other renewable energy projects had been built.  The inspectors noted that the land had been granted a super-duper low rate for agricultural use.  We’re not sure of the details, but we do know that under section 8-7.3 of the Revised Ordinances of Honolulu, land that has been dedicated to agricultural use for 10 years is assessed for property tax purposes not at fair market value, but at one percent of fair market value.

    The inspectors didn’t think that having a bunch of solar panels soaking up the sun, instead of fruits and vegetables, was an agricultural use.  So, they reclassified the property as industrial.  The owner in the previous year paid $30,154 in property tax and got a bill for $835,710, resulting in an extremely unhappy owner.

    We in the Foundation covered that story in “Tax Isn’t a Peanut Butter Cup.”

    Now, our savvy legislators at the State Capitol think they have figured out a way around this problem.

    It’s called a “Payment in Lieu of Tax,” or PILOT, program.  Under such a program, an energy operator can pay a certain amount to the county that is based on some agreed metric, like the nameplate capacity of the solar farm that sits on the property.  The county accepts the payment instead of the real property tax otherwise due, and everyone’s happy – at least in theory.

    So, our state legislators are pushing bills such as House Bill 348 that would “authorize” the counties to adopt PILOT programs.  But the programs need to meet certain conditions, like they need to exempt renewable energy projects in full in exchange for the PILOT payments.

    Unfortunately, there are a few wrinkles.

    First, our state constitution gives exclusive power over the real property tax to the counties.  The state has nothing to do with real property tax.  Zero.  Therefore, the State doesn’t need to authorize counties to adopt PILOT programs with regard to real property tax.  They have the power to adopt the programs by themselves.  Furthermore, for the same reasons, the State can’t force the counties to adopt PILOT programs, and that the State has no business telling the counties what they can and can’t put in a PILOT program. 

    Second, the nightmare scenario that appears to have motivated this bill is 100% unaffected by the bill.  Whether or not the City & County of Honolulu adopts a PILOT program doesn’t, and can’t, affect their taxing authorities’ position that a papaya farm is an agricultural use but a solar farm isn’t.  When property is “dedicated” to agricultural use, the owner has made a promise that the property will be used for agriculture and won’t be used for other things.  If the owner makes the promise in order to get property tax that is 1% of what others would pay, and then breaks the promise, then of course there are going to be dramatic consequences. 

    Certainly, the taxpayer’s plight here can and did motivate City officials to think about some relief, and the City enacted Ordinance 21-32 to create a partial exemption for renewable energy projects.

    In any event, our state legislators really shouldn’t be mucking around in this area.  They need to realize that they are not, in fact, all-powerful.  Their time is better spent elsewhere.

    Awakening the Hero In All Of Us–Fundraiser for Turkey

    As of the date of this press release, the death toll in Turkey is 41,000 and still climbing. The earthquakes that struck the morning of February 6, registered at magnitude 7.8 and the second at magnitude 7.5, are the deadliest earthquakes to hit the region in 100 years. 

    “Our restaurant is grateful to be able to present this event as part of our outreach to help the Turkish people affected by the earthquakes. We still have a lot of friends and families there and we would like to ask everyone here to join us on our efforts to assist those who are displaced, homeless, and survivors who are losing hope. At this fundraising event, we will present a special menu and drinks. 100% of sale proceeds from certain food items served that day will be donated directly to reputable charities”, says Chef Ahu Hettema, co-owner of Istanbul Hawaii.

    “I am humbled and thankful for being invited by Chef Ahu. In times of despair, we are given the opportunity to awaken the hero within us and come together as a community to give to those who are less fortunate. Regardless of how small the gift is, it is the sum of everyone’s giving that counts. We will be auctioning some of my original paintings and selling limited and open-edition prints. 30% of net proceeds will be donated to UNICEF or the customer’s choice of organization that is providing disaster relief to Turkey”, says Leni Acosta Knight, artist. 

    Chaos Seeds of Change Leni Acosta Knight

    Istanbul Restaurant is owned and operated by the dynamic mother-daughter duo, Chef Nili and Chef Ahu, and they have been recognized as the “Woman-Owned Business of the Year 2022 for the State of Hawaii” by the Small Business Administration, City and County of Honolulu Mayor Rick Blangiardi, and Hawaii State Senator Glenn Wakai. Their focus on farm-to-table and 100% women, family, and immigrant ownership truly showcases the impact women can have in their communities.

    Scent-of-Colors Leni Leni Acosta Knight

    As a breast cancer survivor and an advocate against domestic and sexual violence, local artist Leni Acosta Knight dedicates her artwork to helping worthwhile humanitarian projects. Her thought-provoking pieces are predominantly inspired by her love of philosophy, science, mythology, and poetry. She combines classical realism and abstract expressionism, specializing in painting with oil, acrylic, and watercolor, as well as drawing with graphite and charcoal.

    For questions regarding the event, contact Leni Acosta Knight at (808) 859-3859 or Adriel Bencosme at (978) 771-4276 or Ahu Hettema of Istanbul Hawaii at (808) 772-4440

    For more information on Istanbul Hawaii, visit www.istanbulhawaii.com

    Her work has been featured in numerous exhibitions worldwide, including events at the Honolulu Museum of Art, the International Contemporary Digital Art Exhibition presented by M.A.D.S Milano Gallery in Italy, the World of Crete Contemporary Art Exhibition in Greece, the Paris International Contemporary Arts Trade Show in France, International Art Fair in Austria and Spain. She is represented by Van Gogh Art Gallery in Madrid, Spain, and Wy’s Gallery in Haleiwa, Hawaii. 

    For questions regarding the event, contact Leni Acosta Knight at (808) 859-3859 or

    Adriel Bencosme at (978) 771-4276 or Ahu Hettema of Istanbul Hawaii at (808)

    772-4440

    For more information on Istanbul Hawaii, visit www.istanbulhawaii.com

    For more information on Leni Acosta Knight, visit www.leniknight.com

    Get Out, Evil! Stay In, Good Fortune!

    At around this time of year, the Japanese celebrate a festival known as Setsubun.  While there are regional variations on how to celebrate it, many of them involve roasted beans and an Oni, or demon.  According to tradition, people in the household pelt the Oni with the beans while saying, “Oni wa soto!  Fuku wa uchi!” which means, “Get out, evil!  Stay in, good fortune!”

    “Why did you dress me up in an Oni suit?” the Hawaii State Tax Watch Doggie told me one day.  “This can’t be good.”

    “It’s Setsubun,” I said.  “We’re going to take some cute pictures and post them on social media.”

    I whipped out the ol’ smartphone and tapped the camera icon.

    “I don’t buy it,” he snarled.  “I bet you have something else in mind.”

    “I said it’s Setsubun.  Just following tradition.”

    “What’s in that bag you have there?”

    “Beans.”

    “They look kind of dry and hard, and – HEY!  Why are you throwing them at me?”

    “General excise tax OUT!”

    “Ain’t happening, Boss – OW!  You know that tax makes so much money with a low rate that they will never, ever get rid of it!”

    “Good fortune IN!”

    “YAP!  That’s annoying!”

    “Stratospheric income tax OUT!”

    “You’ve got to be kidding me!  No way the public worker unions will ever –”

    “Good fortune IN!”

    “PTUI!  I can’t even eat these stupid beans!”

    “Draconian tax enforcement OUT!”

    “But jeez!  How are they ever going to bring in the bucks unless they make a few examples of people by raking them over the coals and assessing them millions of dollars that they’ll never be able to pay?”

    “Good fortune IN!”

    “You’re not done yet??”

    “Special funds OUT!”

    “Why?  Don’t we need dedicated funding sources for these important programs?  It’s way too much trouble for our government workers to hike over to the Legislature to justify their actions!”

    “But we elected those legislators to oversee spending our tax money!  Good fortune IN!”

    “If I break a tooth on one of these beans, I’ll never let you forget it!”

    “And I’m out of beans!  That was great!  You were a splendid Oni!”

    “I’m going to bite you on the schnozzola!!”

    And that’s how our Setsubun festival went.  We wish the best of fortune to all of you – and be sure to keep watching our lawmakers, because the legislature is in session!

    Tax cuts are better than tax credits

    By Keli‘i Akina

    Gov. Josh Green’s big tax plan, the “Green Affordability Plan,” promises to put
    $300 million back into taxpayers’ pockets, making it one of the biggest tax reductions in Hawaii history.

    But can the GAP live up to that promise?

    For the past several years, the Grassroot Institute of Hawaii has urged Hawaii lawmakers to cut taxes. With a surplus of more than $10 billion expected over the next four years, Hawaii can afford it. Tax cuts would put money back in people’s wallets, reduce the cost of living and spur economic growth.

    If the governor’s GAP plan were based around tax cuts, there wouldn’t be enough space on this page to contain all of my praise. But his plan is mostly about tax credits.

    What’s wrong with tax credits?

    Keli‘i Akina

    Politically, they are a gold mine. They can target specific groups, they sound great on paper, and they feel like a bargain for taxpayers. Who doesn’t like to get money back? 

    Gov. Green’s tax plan has tax credits galore — for food, low-income renters, child and dependent care, and teachers who buy supplies for their classrooms with their own money. It also would expand the earned income tax credit.

    It all sounds wonderfully generous, but credits involve a lot of paperwork — something not everybody is good at — and just like that promise from your cousin to pay you back the $20 he owes you next month, $20 today won’t be the same as $20 up to a year from now when the next tax season rolls around. 

    Probably the worst part about tax credits is that lawmakers often like to offset them with tax increases. It is one thing to create tax cuts and credits as part of a broader plan that includes smart, responsible budgeting. It is another to offer tax breaks with one hand while increasing taxes with the other. 

    Fortunately, Gov. Green has not said anything about increasing taxes. Nevertheless, Hawaii taxpayers should remain alert to the possibility. 

    The only actual tax cuts in the governor’s plan, if you could call them that, would involve increasing the state’s income tax deductions and exemptions. Together, these two changes would save Hawaii taxpayers about $162 million in 2024. That is a welcome move.

    Also welcome is the governor’s proposal to peg the standard deduction, personal exemption and the state’s many income tax brackets to inflation, which means lower-income earners won’t get pushed into higher tax brackets. This would save taxpayers about about $26 million in 2024 and is a terrific idea.

    So overall, there is a lot to like about Gov. Green’s GAP plan. Any tax plan that saves Hawaii residents money has to be a good thing — in fact, a great thing! 

    In the future, however, efforts to reduce Hawaii’s tax burden would have more impact if they focused less on tax credits and more on straight up tax cuts — either by eliminating certain taxes or through lower tax rates.
    _____________

    Keli‘i Akina is president and CEO of Grassroot Institute of Hawaii.

    Did You Meet Your Goals This Year? – Pff, We Don’t Care

    Our Legislature’s 2023 session is definitely cranked up now.  Committees are revving up and sending out gobs of notices of hearing for the bills before them.  The Legislature is dealing with over 3,000 bills introduced this year, definitely a lot more than usual and may be a record number.

    One of the other duties that legislators have is oversight of our Executive Branch agencies.  This is a normal function of government.  We elect legislators.  Legislators control the purse strings, and they need to make sure that the tax money we entrust to them is being spent wisely and efficiently.

    To facilitate this oversight function, we have a number of laws that bear on the budgeting process.  One of them, HRS section 37-75, requires agencies to come up a “variance report” that is supposed to list how much they were budgeted, how much was spent, and a narrative explanation for any significant difference.  Agencies are also tasked with selecting some metrics that will help the legislators and the public see how they did, and with posting those metrics.  These reports are due 30 days before the start of the legislative session.  They are collected by the Department of Budget and Finance, and are posted here

    Four years ago, we examined some of the variance reports and concluded that some, not all, of the agencies were basically thumbing their noses at the process.  We were hopeful that by bringing these facts to light we could perhaps shame some of those agencies to get back on the straight and narrow path.

    Apparently, that didn’t work.


    Under the Transportation category, here is part of the variance report for the Daniel K. Inouye International Airport:

    “Number of accidents per 100,000 square feet – NO DATA.”  They obviously know how large their area is in square feet, so are they telling us they don’t keep track of accidents?  That’s hard to believe.  “Average number of times airport restrooms are cleaned per day – NO DATA.”  Are you kidding me?  This, by the way, is not a problem unique to Honolulu.  Data for Hilo International Airport, Ellison Onizuka Kona International Airport at Keahole, Kahului Airport, Lihue Airport, and ALL of the other airports report a similar lack of data for the metrics, just as they did four years ago.

    These, you may remember, are metrics they picked themselves.  As we reported four years ago, Airports’ variance reports in prior years did indeed measure these statistics, up to the 2014-15 variance report.  In that year’s report, the Airports Division complained that “many of its measures are no longer relevant and outdated,” and stopped following the law at that time.

    In 2019, we also complained about the prison system, which had been reporting “NO DATA” when measuring how many escapes, both first and second degree, had occurred.  Fortunately, they seem to have gotten the message and have been posting data since the fiscal year 2020 report.  No escapes!

    At the same time, new instances of agencies posting “NO DATA” in response to key metrics are popping up.  The Office of Environmental Quality Control, for example, posted “NO DATA” in response to all metrics in its 2022 variance report, saying it couldn’t compile data because it was transferred to be under another agency this past year.  The University of Hawaii Cancer Center is listing no data, saying that it is a new program established by the Legislature.  Really?  The Cancer Center has been around since 1971, so there’s something I’m not understanding here.

    For our government to operate well and to be fairly evaluated, we need good data and transparency.  Let’s keep pressing for good data.

    Free-Fall – Last Call –  The Sixth  (Anthropocene) Extinction

    A new era of environmental patterns on planet earth is unfolding. Hard to deny.

    It’s not coming or going to happen. It is here and it is happening. We are well into it. All life on the planet is being affected now. There are no safe havens . . . no unsullied habitats. There is only fact and fiction.

     The comfort of deferring new mandates for behavioral change is no longer available. That ship has long since sailed. The environmental balance that provided sustainable life has been unbalanced and continues to destabilize in accelerating free – fall. The planet’s ecosystem can no longer absorb the cumulative effects of destructive human activity without unraveling in apparent chaos as it ultimately seeks a new balance.

    Facts:

    • Shrinking Biodiversity – It is estimated that animal populations shrank 70% over the past 50 years.

    “The message is clear and the lights are flashing red,” said WWF International Director General Marco Lambertini. According to the United Nations recent climate report, up to one million species are threatened with extinction, many within decades.

    • Ocean Acidification – Like a sponge, oceans are absorbing increasing amounts of CO2 from the atmosphere. Concentrations are now the highest in the past 800,000 years, and the current rate of increase is likely unprecedented in history. Combined with an overwhelming  volume of trash and chemical pollution, a sea change which threatens the future of all marine life and, in turn, food security, livelihoods and local to global economies is underway and accelerating rapidly.
    • Deforestation and Destruction of Natural   Habitats – Over the decade since 2010, the UN FAO estimate that 10 million hectares of forest were cut down each year, (roughly  the area of 14 million football fields).

    Up to 28,000 species can go extinct in the next quarter century due to deforestation.

    By the year 2030, we might only have 10% of Rainforests left and it can all disappear rapidly.

    Banks such as JPMorgan, HSBC, and Bank of America financed $119 billion to Companies linked to deforestation. There is a glaring lack of monitoring and enforcing mechanisms in the financial sector, allowing widespread land degradation to persist. 

    • Rising Sea Levels – The trends are worrisome. Almost all projections based on computer simulations and models  to project ice melt rates have been shattered by unanticipated acceleration due to the interplay of unknown / unforeseen variables. Efforts to slow climate change won’t do much to postpone it given the inertia of ocean warming and ice melt.
    • No Pause or Reset Button – Despite all warnings, scientific reports and international agreements, the human activities causing environmental destabilization and consequently climate change have not stopped or even slowed down. In fact, they have accelerated . . . ramped up to new levels.
    •  Promises, Commitments, Pledges –  by world leadershave proven to be meaningless and empty.  Politicians don’t call the shots. They function to smooth the path for the real shot callers . . . industrial giants that finance and basically own them. How is this for a stunning example . . . the Cop28 climate talks later this year will be chaired by the head of the United Emirates state – owned oil company.
    • A Positive Opportunity Exists – From a distance, it would seem as though the entire human population, has subconsciously acted to create an environment to drive its own ultimate evolutionary shift. The human herd has rather swiftly put into motion severe, adverse environmental changes which, in turn, could serve as the springboard to its own rapid, adaptive change . . . in order to survive a  disaster of its own making. It has, in a sense, engineered the conditions necessary to trip its own awakening, evolution and emergence as a viable species.

    This perspective is very appealing. It implies that, even at its worst moments, human history has unfolded with universal intelligence guiding it at some subliminal level. If we adopt a position that there are no coincidences, no chance outcomes, that the evolution of the universe, in all of its aspects is guided by an intelligent force, then it is, of course, true that we are here, where we are now, by design.

    Proceeding from this assumption, should not leave us smug or confident that we will be delivered. This viewpoint offers hope, nothing more. The dice have been rolled but they are still tumbling. The final act has not  played out . . . yet.

    Fiction:

    We Can Fix It –  Perhaps the most glaring fiction of all. There has always been an element of misguided confidence, even hubris in the notion that our superior intellects give us the ability to control natural events. The belief that our science and technology, which are clearly capable of phenomenal destruction, are equally capable of restoring nature to a state of health is fiction bordering on delusion.

    We cannot :

    • Re – Freeze the polar ice caps.
    • Resurrect casually annihilated natural habitats and species which took millions of years to evolve.
    • Reset / rebalance the infinite, linked factors and forces that determine planetary climate.
    • Create models and simulations which accurately project time frames for natural processes to occur, e.g. melt rates of polar ice, rising ocean levels, extinction of species, etc. Computer modeling, can only encompass a finite, limited number of variables. Environmental change involves an infinite number of dynamically linked variables which are largely unknowable.

    ****************

    Joseph Carlisi – Biography     

    Born and raised in New York City, he earned BA and MA degrees in Philosophy at Hunter College of the City University of New York and then continued his graduate studies in Philosophy and Artificial Intelligence at Massachusetts Institute of Technology working under the mentorship of Marvin Minsky. Joseph worked as a part time content and copy editor for Harvard University Press (science and medicine) while attending M.I.T.     

    After ten years as a university lecturer, researcher and administrator, he started and managed an advertising / public relations firm in San Diego, CA that handled a wide range of commercial accounts. On the academic side, he published a series of seven articles on animal behavior for Harvard Magazine and two books: “A Guide to Personal Power” and most recently “Playing God on the Eve of Extinction”.

    Joseph Carlisi creates oil on canvas paintings that can be described as vivid, surreal and unexpected. His paintings have been exhibited and sold in: Honolulu, Los Angeles, Las Vegas, New York City, Miami, Tokyo, Yokohama, Amsterdam, Berlin and Salvador Brazil.

    Joe’s art is available for purchase.

    Contact him at carlisijoseph@yahoo.com.